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Notes
on the Use of Theatrical Firearms
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THEATRICAL WEAPONS USE
WARNING:
Blanks can kill.
We strongly advise that any person handling theatrical firearms
should be trained in the use of firearms. Check the yellow pages
for shooting ranges or gun clubs in your area where suitable training
can be obtained. Among other precautions, the following should always
be observed in dealing with firearms:
(1)
Never load any firearm until you are actually ready to use it. Once
loaded a firearm should never be cocked or readied for discharge
until it is actually called for on the set.
(2) Never point a firearm at anything you do not intend to shoot,
whether the gun is loaded or unloaded.
(3)
Do not interchange blanks. Use only the appropriate blanks for the
particular firearm you are handling.
(4)
Maintain a distance of at least 20 feet between the muzzle of a
firearm and any object or person being fired upon. If you must fire
at an actor within this distance, cheat the action by aiming slightly
off to one side so that no one is in the direct line of fire.
(5)
Wait 15 seconds after a misfire before ejecting or clearing the
unfired blank from the firearm. Keep the gun pointed in a safe direction
during this waiting period as well as when clearing the unfired
blank and loading a fresh one.
(6)
Keep the trigger finger outside the trigger guard of the gun until
it is actually to be fired. Immediately after firing, the safety
should be engaged, if applicable. After a gun has been fired, always
secure it from the performers and check that it is empty; if not,
unload the weapon.
(7)
Clean the firearms after every use. Leaving them uncleaned for even
short periods can be dangerous and cause serious damage. You will
be charged between $35 and $65 for every firearm returned unclean.
You will also be charged for damage to the firearm due to improper
maintenance.
(8)
Protect your eyes and ears. Guns are noisy and hearing protection
in the form of ear plugs or shooting ear protectors should be used
whenever blanks are discharged, particularly in a confined space.
When conventional hearing protection would be visible, actors can
be protected by using wax or foam ear plugs. When possible use eye
protection as well, especially with weapons that eject casings.
(9)
Never have any live ammunition on the set. Some theatrical firearms
can chamber live ammunition even though there is a restriction in
the barrel. Others can chamber and fire live rounds.
(10)
The use of a locking device or safety lock is only one aspect of
responsible firearm storage. For increased safety firearms should
be stored unloaded and locked in a location that is both separate
from their ammunition and inaccessible to children and any other
unauthorized person.
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© 2002 Jauchem & Meeh, Inc.
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